D Major (2 Sharps in Key Signature F# C#)
D E F# G A B C# D
A Major (3 Sharps in Key Signature F# C# G#)
A B C# D E F# G# A
E Major (4 Sharps in Key Signature F# C# G# D#)
E F# G# A B C# D# E
E Minor (1 Sharp in Key Signature F#)
E F# G A B C D E
Three Typical Genres of Baroque Music (and movements)
Opera
Overture
Recitative
Aria (Duet, Trio, Quartet, etc.)
Chorus
.
.
.
(etc.)
Suite
Overture
Dance I
Dance II
.
.
.
(etc.)
Concerto
Fast
Slow
Fast
J.S. Bach Dates, Stylistic Periods, and Types of Music Written
(1685-1750)
Weimar - Organ
Cothen - Instrumental
Leipzig - Vocal
Listening
[8567] Claudio Monteverdi - Vespers: I. Deus in Adjutorium (God in the House)
[8585] Heinrich Schutz - Saul, Saul
[8659] Henry Purcell - Dido and Aeneas: When I Am Laid in Earth (Dido's Lament)
[8678] Antonio Vivaldi - Gloria: I. Gloria
[8685] J.S. Bach - Fugue in G Minor ("Little")
[8685] G.F. Handel - Messiah: Hallelujah
***
Well,
yes,
and
down
the
freeways
(sky
filligreed,
furled,
ablaze)
and
bywayic
divertissements,
eventually
re-
beelining
to
Diablo
Valley
College and the
Theoreticians,
for an encounter with J.S. Bach's Organ Passacaglia in C Minor as Dictation /
Board Harmony,
finishing up imaginative Student Compositions 1.
Proceed
apace to
UC Berkeley for rather a lot of research re The Opus Project presents Opus 39: Strange But True! (8pm, Saturday, March 26, 2016, Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA), namely...
Hans Pfitzner (1869-1949) The Heart, Op. 39 (1931)
Arnold Schoenberg (1874-1951) Kol Nidre, Op. 39 (1938)
Othmar Schoeck (1886-1957) Penthesilea, Op. 39 (1925)
Ernst Toch (1887-1965) Spiel for Wind Orchestra, Op. 39 (1926)
Dmitri Shostakovich (1906-1975) The Limpid Stream, Op. 39 (1935)
Jean Langlais (1907-1991) True Story, Op. 39, No. 1
Samuel Barber (1910-1981) Andromach's Farewell, Op. 39 (1962)
Alan Hovhaness (1911-2000) Artinis, Op. 39 (1945)
Jan Koetzier (1911-2006) Frans Hals, Op. 39 (1949)
+ full score to Ernst Krenek (1900-1991) - Jonny spielt auf, Op. 45 (1925), re Alma...
Reverse-
course
post-
haste
to
grade
plentious
papers,
then off again
for the
evening's festvities, returning late (18th day of summer, high again 73)
to produce visual libretto and the piano-vocal score for Alma Maria Schindler Mahler Gropius Werfel, Op. 232: X. 1888 - Alma Maria Schindler (Photograph II) +
begin composition of Variations on the Romanesca, Op. 251 ( bIII-bVII-i-V / bIII-bVII-i-V-i) in homage to the earliest extant variation set: I. Luis De Narvaez (1490-1547) - Differences sobre Gardeme las Vacas (1538)...